ВикиЧтение

ВикиЧтение

Брак у народов Западной и Южной Европы
Шервуд Е. А.

Summary

Summary

In this present monograph authors study and describe different aspects of marriage and wedding rituals in the areas of Southern and Western Europe. Some of the peoples are considered within the state borders of relevant modern countries. Chronological framework of the book embraces the 19th and early 20th centuries.

Ten chapters are devoted to the peoples of Italy, Spain, France, Netherlands, Belgium, Switzerland, the Germans, Austrians, Hungarians, and the Portuguese. All the chapters follow the same principle of material presentation by which fact comparability is ensured.

The forms of marriage and accompanying customs were dependent on the levels of development of socio-economic relations. For instance, the strict principle of local and social endogamy was weakening gradually and at different rates in different rural and urban groups remained significant through the first half of the 20th century.

As a rule, weddings as such were preceeded by match-making and engagement events. For all the variations between countries and peoples the meaning of such acts was the same, i. e. completion of the choice of marriage partner and its wide announcement and agreement about material provisions for the subsequent marriage union.

Wedding proper was the pivotal point of the entire wedding cycle at which moment a marriage union was sanctified and formalized with three categories of acts — traditional custom, church wedding and civil registration which combined variously among different peoples. However, in real life the greatest importance was attached to customs.

The book underlines the multilineality and polyfunctionality of wedding ritualism and describes acts, symbols and verbal formulae whose origins belong to different epochs and reflect social, legal, moral and ethnic, as well as religious notions of the contemporary man.

The book shows the trends observed in the development of wedding rituals; while the traditional acts and symbols survived their meaning and functional significance changed.

Читайте также

Summary

Summary MACHINES OF NOISY TIME: HOW EARLY SOVIET MONTAGE BECAME A METHOD OF UNOFFICIAL ARTAbstractThis book examines shifts in the meaning of montage in different historical situations and in various artistic media, including literature, cinema, theater, and visual arts. Its scope includes literature and art of Soviet Russia (both official and unofficial), Germany, France, and the United States from 1910 to the 2010s. While this book does not provide a cohesive historical sketch, it delivers

Summary

Summary In his new book author continues to use an ontological poetics as his method of reading of well-known texts of European literature.Now he offers to read Shakespeare, Goethe, A. A. Milne, J. M. Barrie and others from this point of view. An ontological schemata helps to uncover the internal sctructure of texts by the way of analyzing the «strongest episodes» (well-known ones) of them and revealing of «non-obviously sense structures» which lie in the basis of their

Summary

Summary PARALOGIES: The Transformations of (Post)modernist Discourse in Russian Culture of the 1920s-2000sMark Lipovetsky’s Paralogies presents a theoretical and historical reinterpretation of Russian postmodernism. Emerging in part from his earlier study, Russian Postmodernism: Essays on Historical Poetics (1997), this new work inscribes Russian postmodernism into the history of Russian modernism. Lipovetsky makes the argument that Russian postmodernism is historically situated not after

Summary

Summary The Russian colonization of Siberia gave birth to numerous mixed communities, most of which are referred to as “Old Settlers” (starozhily). The territory of these communities stretches from the western borders of the Republic of Sakha to Kamchatka in the East, and to the Angara River and Lake Baikal in the South. In this book, an international team of authors focuses mainly on three case studies within this huge region: Russkoe Uste (on the Indigirka River), Pokhodsk (Kolyma

SUMMARY

SUMMARY The Irony of the Ideal: Paradoxes of Russian Literature Mikhail Epstein Russian literature is prone to self–contradictions. This book investigates the paradoxical logic of self–denial characteristic of certain authors and literary epochs and trends. A “paradox” is a situation or utterance that, according to its own logic, unexpectedly contradicts itself, refutes its own premises, and lays waste to its own foundations. Besides this international term, Russian also has

Summary

Summary G. Kosmolinskaya.THE RUSSIAN BERTOLDO.THE FATE OF AN ITALIAN COMIC NOVEL IN EIGHTEENTH-CENTURY RUSSIA: MANUSCRIPTS, PUBLICATIONS, READERS.The popular comic novel by the Bolognese author, Gulio Cesare Croce (1550–1609), «Le sottilissime astuzie di Bertoldo» (1606), presented itself to Italian readers as a new, Italian Aesop («un l’altro Esopo»), and immediately became a genuine best seller. Over the course of two centuries it went through multiple editions, was translated into

Summary

Summary In this present monograph authors study and describe different aspects of marriage and wedding rituals in the areas of Southern and Western Europe. Some of the peoples are considered within the state borders of relevant modern countries. Chronological framework of the book embraces the 19th and early 20th centuries.Ten chapters are devoted to the peoples of Italy, Spain, France, Netherlands, Belgium, Switzerland, the Germans, Austrians, Hungarians, and the Portuguese. All the chapters

Summary

Summary The authors of this book describe and analyse various forms of contracting marriage in Central and South-Eastern Europe during the XlXth and early XXth century. Some peoples are viewed within modern State boundaries.The book consists of an Introduction and eight chapters each dedicated to the people (or peoples) of some European country: the Poles, the Sorbs, the peoples of Czechoslovakia and of Yugoslavia, the Bulgarians, the Roumanians, the Albanians, and the Greeks, a common

Содержание История