Глава 9 Иконы, новая христианская художественная форма

Эпиграф к главе: Sermon of Eustaphios of Thrace, in E. A. Wallis Budge, Saint Michael the Archangel: Three Encomiums (London, 1894). P. *79 – *80.

Lucy-Ann Hunt, “For the Salvation of a Woman’s Soil: an icon of St Michael described within a medieval Coptic context”, in Anthony Eastmond and Liz James, eds., Icon and Word: The Power of Images in Byzantium (Aldershot, 2003). P. 205–302.

Hans Belting, Likeness and Presence: A History of the Image Before the Era of Art, tr. Edmund Jephcott (Chicago, 1994).

Michele Bacci, ‘“With the Paintbrush of the Evangelist Luke”, Mother of God’, in Vassilaki, ed., Representations of the Virgin in Byzantine Art. P. 79–89.

Averil Cameron, “The Language of Images: the Rise of Icons and Christian Representation” in D. Wood, ed. The Church and the Arts, Studies in Church History 28 (Oxford, 1992). P. 1–42.

Thomas F. Mathews, Byzantium: Fron Antiquity to the Renaissance (New York, 1998).

Robin Cormack, Writings in Gold: Byzantine Society and its Icons (London, 1985).

Maria Vassilaki, ed., Images of the Mother of God: Perceptions of the Theotokos on Byzantium (Ashgate, 2005), esp. Thomas F. Mathews and Norman Muller, “Isis and Mary in early icons”. P. 3–11.